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The Gatekeepers

Since 1967 Israel has tried to transform its incredible military victory into a bridge to peace. It failed. Forty years and two peace treaties later an atmosphere of fear and mistrust still permeates the region. In this film, the five former heads of Israel’s Secret Service exclusively reflect on their successes and failures to maintain security, even while violence flares up again, this time in the Gaza Strip. These five men individually and as a group have come to reconsider their hard-line positions and advocate a conciliatory approach toward their enemies based on a two-state solution.

Dancing in Jaffa

Dancing in Jaffa follows the journey of internationally renowned ballroom dancer Pierre Dulaine as he returns to his birthplace, Jaffa, to fulfill his lifelong dream of teaching Jewish and Palestinian Israeli children to dance together. For generations, Jaffa has been a city divided with the two communities living side-by-side but growing increasingly apart. The film explores the stories of four children forced to confront issues of identity, segregation and racism, as they dance with their enemies. We watch Pierre transform hundreds of lives over the course of four months with the belief that this will forever change the future and bridge the gap between the Jewish and Palestinian people.

Life Sentences

An Arab man marries a Jewish woman. They live in quiet harmony within the Arab-Jewish community with their son and daughter. After it is discovered that the father is behind dozens of myserious terror attacks in the late 1960s, the mother flees the country with her kids to the other side of the world and settles in Montreal’s ultra-Orthodox Jewish community. When they grow up, the two will take opposite paths.

A Bottle in the Gaza Sea

Tal is 17 years old. Naim is 20. She’s Israeli and he’s Palestinian. She lives in Jerusalem and he lives in Gaza. They both live their lives until one day a bottle is thrown in the sea.

What About Me?

A man and his donkey are separated at a checkpoint; the man doesn’t have the right to pass through. Funnily enough, the donkey does.

Inheritance

Long-hidden secrets are revealed as a Palestinian family gathers for a wedding in Gallilee, in the north of Israel. Daughter Hajar (Hafsia Herzi), youngest sibling of five, has come home from studying abroad with an Anglo-Saxon, Christian boyfriend (Tom Payne). If that wasn’t enough, when patriarch Abu Majd (Makram Khoury) drops into a coma, there’s a clamor to sort out his legacy and open hostilities begin; while the war between Israel and Lebanon is in the backdrop of this one family’s battlefield. The directorial debut of popular Palestinian actress Hiam Abbass (Munich, The Syrian Bride), Inheritance announces the emergence of a major new directorial talent.

Under The Same Sun

The film is set in the near future, and it looks back at the story of two businessmen – one Palestinian and one Israeli – who struggle to set up a solar energy company. Both come from societies where there is strong opposition to cooperating with the other, and the film tells how they overcome hostility from within their own families and from the people around them. In the end, they mount a Facebook campaign that impacts both their joint venture and ultimately changes the political map.

The Lesson

After 200 driving lessons and numerous failed tests, Egyptian born Layla is about to give up on her dream to drive. An encounter with Nimer, a Palestinian driving expert, rekindles her hopes. Gradually, the car turns into a “confessional,” and Layla shares her secret life story.

Mom, Dad, I’m Muslim

Like any devout Muslim, Maor goes to the mosque, studies the Qu’ran, and prays towards Mecca five times a day. But there’s something which sets Maor apart – she was born May Davidovich, to a Jewish family in a small Israeli town called Karmiel, and converted to Islam when she was 18 years old. Mom, Dad, I’m a Muslim picks up four years later, when Maor has begun to look for a husband who’s observant of her adopted faith. This informal domestic portrait illustrates Maor’s plight of being torn between two worlds, longing to find a place in the Arab community while dealing with the shunning she faces from her own. Maor and her family’s journey towards a new synthesis, illustrated in humble everyday moments, is a testament to the triumph of human values over institutional walls.

77 Steps

This is the personal journey of the director who leaves her Arab-Muslim village and moves to Tel Aviv. While searching for an apartment, she encounters discrimination by most landlords because of her Arab origins. She finally finds an apartment, and meets her neighbor – Jonathan, a Jewish-Canadian man who immigrated to Israel. A love story ensues. Ibtisam joins a left-wing political party (Meretz) and runs for the Knesset. On New Year’s Eve 2009, Israel invades Gaza. Hundreds are killed. Ibtisam resigns from her party because of its support of the War. She struggles over her Palestinian identity, but does not relinquish her relationship with Jonathan. Yet something has gone sour. Jonathan’s family refuses to meet his girlfriend. Jonathan says: “They can’t forgo their image of their future daughter-in-law – Jewish, white and English-speaking.” Ibtisam is also unable to reveal her relationship to her mother. One day, Jonathan’s grandfather comes from Canada on a nostalgic trip to Kibbutz Ein-Dor, which he helped found in 1948. Ibtisam and Jonathan join him. It becomes an individual journey for each one of them – one that takes them back in time and into the unknown, to memories and dreams, Nakba and independence, love and hate, longing and loss.