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The Journey of Vaan Nguyen
In her painful blog, Vaan Nguyen unfolds the absurdities of her life as an Israeli-born Vietnamese. Her father was one of the many “boat-people” who fled Vietnam after the fall of Saigon in 1975 and one of the few who found asylum in the “Land of the Jews.” Now, when the time has come to go back home, they return to Vietnam, hoping they can reclaim their confiscated lands. Their journey becomes a parable on loss of identity and the fate of refugees.

Degania – The World’s First Kibbutz Fights its Last Battle

Third Person

White Robes, Blue Jeans

Salvador: The Ship of Shattered Hopes
On the night of December 3, 1940, at the Black Sea port of Varna, Bulgaria, the Salvador – a rickety, old, sail-powered coal freighter – is finally towed out to sea. 352 Bulgarian Jews begin their voyage on the high seas after many long and wearying months of waiting. Ten hellish days later, the tiny old vessel is heavily buffeted by a storm, running aground on a reef not far from Istanbul. The Salvador is shattered to pieces, and most of its passengers are lost at sea. While some of the survivors return to Bulgaria, most struggle on towards their original destination – Palestine. The courageous story of the Salvador immigrants, never before presented to the public, is the focus of this documentary; set against the background of the extraordinary rescue of Bulgarian Jewry during World War II. With emotional personal accounts from survivors, the film reenacts the voyage of the Salvador – beginning with preparations on land and continuing through the tragedy at sea. The film tells the harrowing tale of the intrepid survivors’ journey against all odds. Written by Anonymous

Love Davka
“At the age of 15 I was involved in a severe car accident. In the film I pursued the challenge of finding love, sex and colour. I met disabled and non-disabled men and searched for my place in a love equation. I was in for a surprise”

The Beach Boys
An intimate portrait of Israeli masculinity through three hard-core womanizers at the Tel-Aviv beach. From 1975-2005, the director-cinematographer, a reputable avant-garde artist and womanizer in his own right, followed his close friend Ronny Sagman and two of his pals – Alon “G-String” and David “The Irishman” – who never fail to devise new antics for chasing their eternal passion: women.
The film‘s protagonists refuse to give in to social conventions (such as time constraints), and religiously pay a daily visit to the beach – winter, spring, summer, and fall – as if it was their calling. Their sole purpose in life is the hunt – conquest after conquest; conquest for the sake of conquest.
During the course of several years, the film paints a portrait of the Israeli male, raising poignant questions about physical and emotional impotence, ethnic inferiority complexes, and Israeli/Jewish masculine identity on Tel-Aviv’s beachfront. The harder the beachfront tries to be a haven, an enclave separate from Israeli reality, the more it comes to express and characterize that identity.

Eichmann’s End: Love, Betrayal, Death
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