Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn’t like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti’s mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti’s refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable.
In the wake of their mother’s death, Dorona (Rotem Zissman-Cohen) and her brothers Netanel (Roy Assaf) and Shai (Assaf Ben-Shimon) stumble across some unexpected intrigue regarding her past — namely the revelation that her husband, the man who raised them, is not their biological father. The ensuing search for the mysterious Muslim man who sired them takes them from Israel to France. The film truly belongs to Dorona, a young woman longing for a love so idealized, so notional, that she can’t see the full heart of the man in front of her: her own husband. Briskly paced and threaded throughout with wry humor, Zarhin’s film asks us to confront our own ideas around identity and walking the emotional tightrope between lies and truth.
Based on the books of Sayed Kashua. Eyad, who grew up in an Arab town in Israel, is given the chance to go to a prestigious Jewish boarding school in Jerusalem. He desperately tries to fit in with his schoolmates and is isolated until Jewish classmate Naomi befriends him. Eyad’s other lifeline is Yonatan (Michael Moshonov), whom Eyad is assigned to help with schoolwork. Both are “misfits”: one in a wheelchair, the other an Arab. Through love, friendship, tradition, and conflict, Eyad struggles to find his identity.
Thomas, a young German baker, is having an affair with Oren, an Israeli married man who has frequent business visits in Berlin. When Oren dies in a car crash in Israel, Thomas travels to Jerusalem seeking answers regarding his death. Under a fabricated identity, Thomas infiltrates the life of Anat, his lover’s newly-widowed wife, who owns a small Café in downtown Jerusalem. Thomas starts to work for her and create German cakes and cookies that bring life into her Café. Thomas finds himself involved in Anat’s life in a way far beyond his anticipation, and to protect the truth, he will stretch his lie to a point of no return.
Renowned filmmaker Avi Nesher’s latest film The Other Story tells a suspenseful, poignant, and humorous story through the eyes of two rebellious young women from two troubled families that tangle in the most unexpected ways in Jerusalem. As the characters’ warring personal convictions and intimate anxieties clash, the secular and religious world views they hold dear also come to embody the struggle for identity reflecting present-day Israel.
In 1935, Max Shorenstein left his position as Chief Rabbi of Copenhagen to fulfill a longtime dream: to build a zoo in Tel Aviv. Against all odds, the Tel Aviv Zoo became one of the city’s greatest attractions. Yet envy, greed, and corruption eventually saw Shorenstein banished from the paradise he built. A tale of a city raised from sand to become an international, cultural, and financial hub a century later, and the price that was paid for this exponential growth.
Mini-series
“Moshe Dayan was radioactive,” says his grandson, Sa’ar, as he tries to explain how throughout Dayan’s life and decades after his death, his family still struggles with the large shadow cast by one of the most interesting and enigmatic characters in Israel’s history. The series follows five generations of the Dayan family—“The Israeli Kennedys”—whose story mirrors that of Israel itself. They have played an essential part in the critical milestones in the life of the state and tell its story in an intimate, scandalous, and fascinating manner.
The story of a remarkable athlete who captured the spirit of a nation, and how he ultimately triumphed despite the odds. In the summer of 1976, Aulcie Perry was spotted by a scout for Maccabi Tel Aviv while playing basketball in Harlem, and was signed immediately. Just a year later, Perry, who took the Israeli basketball team to their first European championship, started dating supermodel Tami Ben Ami, converted to Judaism, and became one of Israel’s biggest athletes. But not all was well behind the scenes.
The Electrifiers won the 1984 Best New Artist Award, but have been stuck in traffic on the highway to international stardom ever since. Thirty years after their win, no one remembers their hit song and the aging band still struggles to catch its real big break between gigs at nursing homes and cheap dives. Featuring cameo appearances by real-life 80s Israeli pop icons, The Electrifiers is a blissfully sweet story in which everyone, old and slightly less old, comes of age.
When an American tech billionaire is kidnapped in Jerusalem, the CIA decides to send its own agent to join the Israeli Mossad team’s rescue operation. A hilarious international espionage caper ensues as the Mossad and the CIA compete to save the world from an international terror organization, ala Airplane! and Naked Gun.
