From the breakthrough director of Zero Motivation comes Honeymood, a romantic comedy set over the course of one night in Jerusalem. A bride and groom arrive at a lavish hotel suite after their wedding. What should have been a romantic night together turns into a fight that develops into a dazed urban journey, making them confront past loves, repressed doubts, and the lives they have left behind.
In 1982, amid the Lebanese Civil War, Israeli pilot Yoni (Stephen Dorff) is shot down over Beirut and is taken prisoner by inhabitants of a Palestinian refugee camp. Among the captors is ten-year-old Fahed, whose father obsessively tends to his prized, but sickly olive tree, refusing to replant it until they return to their ancestral land. Despite his deep-rooted hatred for Yoni, Fahed realizes he can use him to get past the border and into “Palestine” to plant his father’s olive tree. The two embark on a harrowing and dangerous journey – one that tests the very boundaries of humanity. Zaytoun is a story of survival, reconciliation and friendship.
3 female friends get-away for a weekend and secrets are reveiled.
A stop-motion animated story about people living in a Sydney apartment complex looking for meaning in their lives.
The story of a blind father and his singer daughter, immigrating together to Israel.
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Uri, an easy-going handsome 50 year-old man, left the kibutz 20 years ago and moved to Tel Aviv, but still insists to live his life in his apartment building as if it was a sharing community. His small garden in the entrance of the building is perfectly groomed, and his relationship with the neighbors is warm. Menachem, a lawyer who owns a few apartments in the building, yearns for years to destroy the garden and make it into a parking space. Today is “Tu Be Shvat” (an Israeli holiday which celebrates agriculture), and Uri succeeds in spreading a little holiday spirit amongst the neighbors.
Danielle, a Jew who grew up as a Muslim in Morocco, struggles for the right to bring up her son, Nasser. Nine years after she was forced to leave him and moved to live in Jerusalem, she returns to Morocco to fight for custody. She sets off to meet her son, now 14, and her Muslim family. To her surprise, the greatest difficulties come from Israeli society and the levels of bureaucracy which threaten this fragile relationship.
Bethlehem tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the film is a raw portrayal of characters torn apart by competing loyalties and impossible moral dilemmas, giving an unparalleled glimpse into the dark and fascinating world of human intelligence.
Across from the municipal music hall in Bat-Yam, there is a large, run-down concrete building. It was built as part of the public housing project in the 50s, and most of the tenants have been living there since. The gap between the two buildings is so much larger than the actual distance.
For many Israelis, the assassination of Prime Minister Yitzhak Rabin in 1995 marked a grim turning point for their country. In the words of the commission set up to investigate the murder, “Israeli society [would] never be the same again. As a democracy, political assassination was not part of our culture.” In the eyes of even more people, the murder ended all hope for the Israeli-Palestinian peace process through the Oslo Accords and altered the course of history. But, as Amos Gitai sets out to prove in his brave and provocative new film, Rabin’s assassination was not just the act of one fanatic; it was the culmination of a hate campaign that emanated from the rabbis and public figures of Israel’s far right.
