Brothers Jozek (Maciej Stuhr) and Franek (Ireneusz Czop) discover a secret that changes the perception of their father, their entire family, their neighbors, and the history of their nation. A Polish village sets the scene for this thriller based on true events.
On a summer day in 1945, an Orthodox man and his grown son return to a village in Hungary while the villagers prepare for the wedding of the town clerk’s son. The town clerk fears the men may be heirs of the village’s deported Jews, expecting them to demand their illegally-acquired property back. The townspeople—suspicious, remorseful, fearful, and cunning—expect the worst and behave accordingly.
Director Ferenc Török paints a complex picture of a society trying to come to terms with recent horrors they have experienced, perpetrated, or tolerated for personal gain. A superb ensemble cast, lustrous black and white cinematography, and historically detailed art direction contribute to an eloquent drama that reiterates Thomas Wolfe’s famed sentiment: you can’t go home again.
When the women’s balcony in an Orthodox synagogue collapses, leaving the rabbi’s wife in a coma and the rabbi in shock, the congregation falls into crisis. In this Israeli comedy, gender rifts unfold as the women stand up to the new ultra-Orthodox Rabbi.
Erez, a rising Israeli swimming star, arrives at training camp—where the top swimmer gets a chance to compete at the Olympics. Despite being warned to avoid friendship with other competitors, he becomes enchanted with the beautiful and talented Nevo. Erez treads the waters between his lust for Nevo and his desire to win.
Shoshana Damari, “Queen of Hebrew Music” and Israel’s first diva, graced local and international stages with a larger-than-life personality and renowned voice. Yet beneath the persona, Shosana kept her personal and family life hidden. Now, for the first time, the woman behind the crown will come to light—a story of motherhood and affairs, fame and loneliness, isolation and confidence.
40-year-old filmmaker Yael Reuveny returns to Israel to reunite with former classmates from 1988, who were all coming of age as Israel was turning 40. They were the first Jews born in Israel, a dream come true for the many generations before them. Examining a decade that began with optimistic peace agreements and ended with the painful clash of the Second Intifada, Reuveny and her classmates discuss growing up as the first Israeli generation to know hope and perhaps the first to lose it.
Based on true events, Image of Victory follows the 1948 war from the two perspectives of an Egyptian filmmaker tasked with documenting a raid at an isolated kibbutz commune, and an Israeli soldier in the conflict who becomes a war hero. As more troops are sent into the battlefield and tensions escalate, both sides must reevaluate everything they know about life and war.
Award-winning director Daniel Burman returns with The Tenth Man, a well-observed comedy that wrestles with notions of identity, home and the intricacies of the father son relationship. After years away, Ariel returns to Buenos Aires seeking to reconnect with his father Usher, who has founded a charity foundation in Once, the city’s bustling Jewish district where Ariel spent his youth. In the process of trying to meet his father and getting entangled in his charitable commitments, Ariel also reconnects with his own Jewish roots.
The true story of Germany’s most famous anti-Nazi heroine is brought to thrilling life in the multi-award winning drama Sophie Scholl – The Final Days. Academy Award Nominee for Best Foreign Language Film, Sophie Scholl stars Julia Jentsch in a luminous performance as the young coed-turned-fearless activist. Armed with long-buried historical records of her incarceration, director Marc Rothemund expertly re-creates the last six days of Sophie Scholl’s life: a heart-stopping journey from arrest to interrogation, trial and sentence.
Before the arrival of Miami Vice and MTV Spring Break, South Beach was home to the largest cluster of Jewish retirees in the country. Drawn by the small apartments, low cost of living, sunny weather, and thriving cultural life, they came by the thousands seeking refuge from the Northeast’s brutal winters. By the 1970s, these former New Yorkers had turned from seasonal visitors to year-round residents, making Miami Beach home to a population that was primarily over 70 and overwhelmingly Jewish. The Last Resort takes audiences on a journey to the iconic Miami Beach of that era through the lens of young photographers Andy Sweet and Gary Monroe. With cameras in hand, they embarked on an ambitious 10-year project to document this unique chapter in the city’s history, which would soon be erased by the turbulent 1980s. Featuring interviews with Pulitzer Prize winner Edna Buchanan, filmmaker Kelly Reichardt, photographer Gary Monroe, and more, The Last Resort is a stunning testament to a community all but forgotten… until now.
