Erez, a rising Israeli swimming star, arrives at training camp—where the top swimmer gets a chance to compete at the Olympics. Despite being warned to avoid friendship with other competitors, he becomes enchanted with the beautiful and talented Nevo. Erez treads the waters between his lust for Nevo and his desire to win.
Shoshana Damari, “Queen of Hebrew Music” and Israel’s first diva, graced local and international stages with a larger-than-life personality and renowned voice. Yet beneath the persona, Shosana kept her personal and family life hidden. Now, for the first time, the woman behind the crown will come to light—a story of motherhood and affairs, fame and loneliness, isolation and confidence.
40-year-old filmmaker Yael Reuveny returns to Israel to reunite with former classmates from 1988, who were all coming of age as Israel was turning 40. They were the first Jews born in Israel, a dream come true for the many generations before them. Examining a decade that began with optimistic peace agreements and ended with the painful clash of the Second Intifada, Reuveny and her classmates discuss growing up as the first Israeli generation to know hope and perhaps the first to lose it.
Based on true events, Image of Victory follows the 1948 war from the two perspectives of an Egyptian filmmaker tasked with documenting a raid at an isolated kibbutz commune, and an Israeli soldier in the conflict who becomes a war hero. As more troops are sent into the battlefield and tensions escalate, both sides must reevaluate everything they know about life and war.
Award-winning director Daniel Burman returns with The Tenth Man, a well-observed comedy that wrestles with notions of identity, home and the intricacies of the father son relationship. After years away, Ariel returns to Buenos Aires seeking to reconnect with his father Usher, who has founded a charity foundation in Once, the city’s bustling Jewish district where Ariel spent his youth. In the process of trying to meet his father and getting entangled in his charitable commitments, Ariel also reconnects with his own Jewish roots.
The true story of Germany’s most famous anti-Nazi heroine is brought to thrilling life in the multi-award winning drama Sophie Scholl – The Final Days. Academy Award Nominee for Best Foreign Language Film, Sophie Scholl stars Julia Jentsch in a luminous performance as the young coed-turned-fearless activist. Armed with long-buried historical records of her incarceration, director Marc Rothemund expertly re-creates the last six days of Sophie Scholl’s life: a heart-stopping journey from arrest to interrogation, trial and sentence.
Before the arrival of Miami Vice and MTV Spring Break, South Beach was home to the largest cluster of Jewish retirees in the country. Drawn by the small apartments, low cost of living, sunny weather, and thriving cultural life, they came by the thousands seeking refuge from the Northeast’s brutal winters. By the 1970s, these former New Yorkers had turned from seasonal visitors to year-round residents, making Miami Beach home to a population that was primarily over 70 and overwhelmingly Jewish. The Last Resort takes audiences on a journey to the iconic Miami Beach of that era through the lens of young photographers Andy Sweet and Gary Monroe. With cameras in hand, they embarked on an ambitious 10-year project to document this unique chapter in the city’s history, which would soon be erased by the turbulent 1980s. Featuring interviews with Pulitzer Prize winner Edna Buchanan, filmmaker Kelly Reichardt, photographer Gary Monroe, and more, The Last Resort is a stunning testament to a community all but forgotten… until now.
When aspiring filmmaker David (Brandon Polansky) is mandated by a judge to attend a social program at the Jewish Community Center, he is sure of one thing: he doesn’t belong there. But when he’s assigned to visit the Brooklyn Bridge with the vivacious Sarah (Samantha Elisofon), sparks fly and his convictions are tested. Their budding relationship must weather Sarah’s romantic past, David’s judgmental mother (Jessica Walter), and their own pre-conceptions of what love is supposed to look like. Under the guise of an off-kilter New York romantic comedy, Keep the Change does something quite radical in casting actors with autism to play characters with autism, offering a refreshingly honest portrait of a community seldom depicted on the big screen. Rarely has a romcom felt so deep and poignant. Thoroughly charming and quite funny, the film’s warmth and candor brings growth and transformation to the characters, and ultimately, to us.
What do the most ravishingly beautiful actress of the 1930s and 40s and the inventor whose concepts were the basis of cell phone and bluetooth technology have in common? They are both Hedy Lamarr, the glamour icon whose ravishing visage was the inspiration for Snow White and Cat Woman and a technological trailblazer who perfected a secure radio guidance system for Allied torpedoes during WWII.
Weaving interviews and clips with never-before-heard audio tapes of Hedy speaking on the record about her incredible life—from her beginnings as an Austrian Jewish emigre to her scandalous nude scene in the 1933 film Ecstasy to her glittering Hollywood life to her ground-breaking, but completely uncredited inventions to her latter years when she became a recluse, impoverished and almost forgotten—Bombshell: The Hedy Lamarr Story brings to light the story of an unusual and accomplished woman, spurned as too beautiful to be smart, but a role model to this day.
A boorish Israeli-American couple plan a Sabbath dinner party for a group of fellow ex-pat friends and family in their Hollywood Hills mansion. What could possibly go wrong? Well, start with a deadly mix of alcohol, add inflated egos, some inappropriate lust and top with raging jealousy and the result is of cauldron of murderous mayhem. A shot gun, garden sheers, kitchen knives and even a garbage disposal are used as weapons of choice as these deranged guests turn on each other in director Michael (“Out in the Dark”) Mayer’s outrageous and bloody comedy. Think “Who’s Afraid of Virginia Woolf” meets “The Texas Chainsaw Massacre.”