Einat Glaser Zarhin, a graduate of the Film and Television department of the Tel Aviv University, and a tutor at the Sam Spiegel Film School in Jerusalem, has won 7 Ophirs (The Israeli Film Academy award) for Best Editing; The Doc-Aviv Best Editor Award; The Israeli Television Academy Award for best editing in a drama series (won twice); Haifa Film Festival award for Best Editing.  

Among her works (a very partial list): 

Feature Films: Amazing Grace (Amos Guttman, 1992); Zohar (Eran Riklis, 1993); Passover Fever (Shemi Zarhin, 1995); Broken Wings (Nir Bergman, 2002); Bonjour Monsieur Shlomi (Shemi Zarhin, 2003); Campfire (Joseph Seader, 2004); Aviva My Love (Shemi Zarhin, 2006); Noodle (Ayelet Menahemi, 2007); A Matter of Size (Sharon Mimon & Erez Tadmor, 2009); Footnote (Joseph Seader, 2011); The World is Funny (Shemi Zarhin, 2012); The Farewell Party (Tal Granit & Sharon Mimon, 2014); Wounded Land (Erez Tadmor, 2015); The Kind Words (Shemi Zarhin, 2015); The Woman’s Balcony (Emil Ben-Shimon, 2016); My Days of Mercy (Tali Shalom-Ezer, USA, 2017); The Art of Waiting (Erez Tadmor, 2019); Matchmaking (Erez Tadmor, 2022); Silent (Shemi Zarhin, 2022); Soda (Erez Tadmor, 2024); Matchmaking 2 (Erez Tadmor, 2024);  Bliss-Hemda (Shemi Zarhin, 2024);  Documentary Films: The Komediant (Arnon Goldfinger, 2000); TV Series: Yellow Peppers (Keren Margalit, 2010-2014); Our Boys (HBO, Haggai Levi, Joseph Seader, Taufik Abu Vail, 2019)