After an ordinary family dinner, 23-year-old Ilan Halimi makes plans for coffee with a beautiful girl he met at work. The next time Ilan’s family hears from him is through a cryptic message from kidnappers, demanding ransom in exchange for their son’s life. This spurs a massive police manhunt over the next 24 days and triggers political outcry against anti-semitism in France.
An aging father, Reuben (Doval’e Glickman), reunites with his son, Gadi (Nevo Kimchi), with special needs, who he abandoned years earlier. Gadi lived happily with his mother until her tragic death and now is forced to move in with his father. Their relationship becomes more complicated as Reuben’s kidneys are failing and Gadi wants to donate one of his own to help save his father’s life. life. The film is genuine and empathetic in spirit and portrays a relationship full of love, rejection, and codependency.
After fleeing Europe for Uruguay during WWII, Jacob Kaplan built a quiet life. Now 76, and in the middle of an existential crisis, Jacob believes that a German man who runs a café by the beach is actually a Nazi fugitive. He devises a plan to kidnap the German and smuggle him to Israel for trial.
In 1943, 13-year-old Fanny and her younger sisters are sent from their home in France to an Italian foster home for Jewish children. When the Nazis arrive in Italy, their caretakers organize the departure of the children to Switzerland. The 11 children are left on their own to do the impossible and reach the Swiss border to freedom. Based on a true story, Fanny’s Journey is an incredible tale of bravery, strength and survival, a story of a daring young girl who will stop at nothing and fears no one.
Erez, a rising Israeli swimming star, arrives at training camp—where the top swimmer gets a chance to compete at the Olympics. Despite being warned to avoid friendship with other competitors, he becomes enchanted with the beautiful and talented Nevo. Erez treads the waters between his lust for Nevo and his desire to win.
Based on true events, Image of Victory follows the 1948 war from the two perspectives of an Egyptian filmmaker tasked with documenting a raid at an isolated kibbutz commune, and an Israeli soldier in the conflict who becomes a war hero. As more troops are sent into the battlefield and tensions escalate, both sides must reevaluate everything they know about life and war.
The true story of Germany’s most famous anti-Nazi heroine is brought to thrilling life in the multi-award winning drama Sophie Scholl – The Final Days. Academy Award Nominee for Best Foreign Language Film, Sophie Scholl stars Julia Jentsch in a luminous performance as the young coed-turned-fearless activist. Armed with long-buried historical records of her incarceration, director Marc Rothemund expertly re-creates the last six days of Sophie Scholl’s life: a heart-stopping journey from arrest to interrogation, trial and sentence.
When aspiring filmmaker David (Brandon Polansky) is mandated by a judge to attend a social program at the Jewish Community Center, he is sure of one thing: he doesn’t belong there. But when he’s assigned to visit the Brooklyn Bridge with the vivacious Sarah (Samantha Elisofon), sparks fly and his convictions are tested. Their budding relationship must weather Sarah’s romantic past, David’s judgmental mother (Jessica Walter), and their own pre-conceptions of what love is supposed to look like. Under the guise of an off-kilter New York romantic comedy, Keep the Change does something quite radical in casting actors with autism to play characters with autism, offering a refreshingly honest portrait of a community seldom depicted on the big screen. Rarely has a romcom felt so deep and poignant. Thoroughly charming and quite funny, the film’s warmth and candor brings growth and transformation to the characters, and ultimately, to us.
A boorish Israeli-American couple plan a Sabbath dinner party for a group of fellow ex-pat friends and family in their Hollywood Hills mansion. What could possibly go wrong? Well, start with a deadly mix of alcohol, add inflated egos, some inappropriate lust and top with raging jealousy and the result is of cauldron of murderous mayhem. A shot gun, garden sheers, kitchen knives and even a garbage disposal are used as weapons of choice as these deranged guests turn on each other in director Michael (“Out in the Dark”) Mayer’s outrageous and bloody comedy. Think “Who’s Afraid of Virginia Woolf” meets “The Texas Chainsaw Massacre.”