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1945

On a summer day in 1945, an Orthodox man and his grown son return to a village in Hungary while the villagers prepare for the wedding of the town clerk’s son. The town clerk fears the men may be heirs of the village’s deported Jews, expecting them to demand their illegally-acquired property back. The townspeople—suspicious, remorseful, fearful, and cunning—expect the worst and behave accordingly. 

Director Ferenc Török paints a complex picture of a society trying to come to terms with recent horrors they have experienced, perpetrated, or tolerated for personal gain. A superb ensemble cast, lustrous black and white cinematography, and historically detailed art direction contribute to an eloquent drama that reiterates Thomas Wolfe’s famed sentiment: you can’t go home again.



La Rafle image

La Rafle

In picturesque Montmarte, three children wearing a yellow star play in the streets, oblivious to the darkness spreading over Nazi-occupied France. Their parents do not seem too concerned either, somehow putting their trust in the Vichy Government. But beyond this view, storm clouds are gathering. Hitler demands that the French government round up its Jews and put them on trains for the extermination camps in the East. And sooon the collaborators start to put the plan into effect, and within a short time, thirteen thousand of Parisian Jews—among them four thousand children—will be rounded up and sent on a road with no return. As the Nazis feed the children deceptions, two brave children and a nurse struggle to uncover the truth and escape from the terror.